Samuel Osorio is a Chicago-based sound artist, producer, and composer whose work moves between experimental music, alternative songwriting, and sound-based research. My practice is grounded in recording and production, but extends toward questions of listening, structure, and the relationship between sound, technology, and performance.

I was born and raised in Bogotá, Colombia. After high school, I studied at Berklee College of Music, completing a double major in Music Production and Engineering and Electronic Production and Design. During my time at Berklee, I was awarded a scholarship and received the MPE Multicultural Award, recognizing both academic work and creative contribution within the Music Production and Engineering department. This period shaped my technical approach to sound while reinforcing an interest in hybrid forms that blur studio craft and artistic exploration, while exploring techniques such as tape recording, modular synthesis, and vocal production.



In 2025, I released my debut EP Tirado En El Sofá, an intimate and collaborative project that combines alternative pop, experimental textures, and emotionally direct songwriting. The record reflects a studio-centered practice that values arrangement, timbre, and detail, while remaining rooted in a song form. Across the EP, I was able to work with a range of collaborators, positioning production itself as a compositional tool and a space for shared authorship.

Alongside his own releases, I’ve produced and engineered music for other artists, including productions for Luisa Yamillé, *Eyerí, MACU, antransax, Sebastian Ariza, 8th, LEIA, among others, where my role spans sound design, production, or final mastering. My work as a collaborator emphasize adaptability across genres, while maintaining a consistent focus on sonic intention. As a live performer, I’ve arranged, played and collaborated with artists such as Mía Zeta, Nina del Río, Farren, Josephine Glass, and antransax, translating studio sensibility into performance contexts that prioritize sound, texture, and interaction.

I’m currently pursuing a master’s degree at Northwestern University, where I’m deepening research into programming and electronic engineering for musical devices. This current work explores custom instruments, electronic systems, and computational tools as creative extensions of musical practice, further expanding my approach to sound as both material and system.