Samuel Osorio is a sound artist, producer, and composer whose work moves between experimental music, alternative songwriting, and sound-based research. His practice is grounded in recording and production, but extends toward questions of listening, structure, and the relationship between sound, technology, and performance.

He studied at Berklee College of Music, completing a double major in Music Production and Engineering and Electronic Production and Design. During his time at Berklee, he was awarded a scholarship and received the MPE Multicultural Award, recognizing both his academic work and creative contribution within the Music Production and Engineering department. This period shaped his technical approach to sound while reinforcing an interest in hybrid forms that blur studio craft and artistic exploration, while exploring techniques such as tape recording, modular synthesis, and vocal production.



In 2025, Osorio released the EP Tirado En El Sofá, an intimate and collaborative project that combines alternative pop, experimental textures, and emotionally direct songwriting. The record reflects a studio-centered practice that values arrangement, timbre, and detail, while remaining rooted in a song form. Across the EP, Osorio works with a range of collaborators, positioning production itself as a compositional tool and a space for shared authorship.

Alongside his own releases, Osorio has produced and engineered music for other artists, including productions for Luisa Yamillé, *Eyerí, MACU, antransax, Sebastian Ariza, 8th, LEIA, among others, where his role spans sound design, production, or final mastering. His work as a collaborator emphasizes adaptability across genres, while maintaining a consistent focus on sonic intention. As a live performer, he has played and collaborated with artists such as Mía Zeta, Nina del Río, Farren, Josephine Glass, and antransax, translating his studio sensibility into performance contexts that prioritize sound, texture, and interaction.

He is currently pursuing a master’s degree at Northwestern University, where he is deepening his research into programming and electronic engineering for musical devices. His current work explores custom instruments, electronic systems, and computational tools as creative extensions of musical practice, further expanding his approach to sound as both material and system.